舟中望月

朱超（南北朝）

大江闊千里，孤舟無四鄰。

唯余故樓月，遠近必隨人。

入風先繞暈，排霧急移輪。

若教長似扇，堪拂艷歌塵。

詩人一反通常的比喻方式,不以月比團扇之圓,卻以團扇之形喻月,表達出詩人希望統治者不要沉迷于聲色犬馬之中,而應勵精圖治,心系蒼生的愿望。

Contrary to the usual metaphor, the poet does not use the moon to compare the circle of a fan, but uses the shape of a fan to illustrate the moon, expressing the poet's desire that the ruler should not indulge in the sensuality of the dog and horse, but should strive hard to govern and care for the common people.

“流傳千年的東方美學

于有形中展現著無形的文化底蘊

它不僅代表了雅致生活的藝術演繹

更為追求生活品質的人提供了心靈上的享受”

從入戶大廳處以舟中望月點題，讓初入空間中的人感受更多的是意境與韻味。

From the entrance hall, look at the moon in the boat and click on the topic, so that those who are new to the space will feel more of the artistic conception and charm.

餐廳與茶室，舒適自然的顏色主導著室內。融入「簡樸、自然」的格調，每一處都展示著東方的神韻，也傳達了一種高雅的生活志趣。

In the restaurant and tea room, comfortable and natural colors dominate the interior. Incorporating the "simple and natural" style, every place shows the charm of the East, and also conveys a kind of elegant life aspirations.

在‘當代’的語境下以自然的手法，將空間與環境、人文與意境完美的相融，營造出空間的意境，呈現一處恬淡靜逸的當代人文雅居。

In the context of ‘contemporary’, it perfectly blends space and environment, humanity and artistic conception in a natural way, creating a spatial artistic conception, presenting a calm and peaceful contemporary humanistic and elegant residence.

伴山而居，追求與自然契合無間的人生，用灰色糅合現代風尚和趨近自然的木色是臥室的主調，在內斂與品質之中，融入東方元素賦予空間綿綿不盡的詩意想象。

Living by the mountains, pursuing a life that is in harmony with nature, using gray to blend modern fashion and natural wood color is the main theme of the bedroom. Introverted and quality, the integration of oriental elements gives the space endless poetic imagination.